TALKING FILMS
-
Start the week with a film: A divorce from hell in ‘The War of the Roses’
-
The story of India’s unique ‘Milk Revolution’ is going to the Cannes Film Festival
-
Start the week with a film: A legend returns in ‘Bob Marley: One Love’
-
In Cannes-bound ‘In Retreat’, a Ladakh that has rarely been seen before
-
Start the week with a film: In ‘Tokyo Sonata’, the unequal music of an emotionally distant family
-
Start the week with a film: ‘Yannick’ is a comic take on trolls taking charge of art
-
‘Fighters, not losers’: Rajesh A Krishnan on the three heroines of ‘Crew’
-
A dummy’s guide to propaganda films in Bollywood
-
Start the week with a film: In ‘The Wonder’, the strange truth behind a girl’s refusal to eat
-
Start the week with a film: In ‘Bombshell: The Hedy Lamarr Story’, a star as well as an inventor
-
Start the week with a film: A riveting game of mind control in ‘The Manchurian Candidate’
-
How Tamaki Matsuoka became an unofficial ambassador of Indian movies in Japan
-
Start the week with a film: ‘The Traitor’ breaks the omerta on the Mafia
-
In Fritz Lang’s cinema, the deadly beauty of doom
-
Start the week with a film: ‘Mad Max 2’ and the satisfaction of a sequel well done
-
Behind a new Josef Wirsching photography tribute: ‘The vision to recognise historical value’
-
Start the week with a film: ‘Get Out’ takes you deep inside a house of horrors
-
In Malayalam film ‘Bramayugam’, black and white magic in a colourful occult tale
-
Why a Konkani musical made in 2014 is still playing on and on
-
Start the week with a film: In ‘Nyad’, lessons in swimming – and life
-
Start the week with a film: A red-hot romance in ‘Fire of Love’
-
Start the week with a film: The fascinating stories behind the charity single ‘We Are the World’
-
‘Start the week with a film: Meet an Iranian serial killer in the spine-tingling ‘Holy Spider’
-
How the Indian movie industry’s ‘makeup dadas’ have become ‘character designers’
-
Start the week with a film: A beautifully observed father-daughter relationship in ‘Leave No Trace’
-
Start the week with a film: ‘The Killing’ is a perfect movie about an imperfect crime
-
Start the week with a film: ‘Society of the Snow’ is a moving saga of resilience
-
Picture the song: When Hrithik Roshan conquered without dancing in ‘Khaabon Ke Parindey’
-
Start the week with a film: And end the year with ‘A Fish Called Wanda’
-
Start the week with a film: In ‘Maestro’, the unequal music of a marriage
-
Start the week with a film: Mothers and daughters just want to have fun in ‘The Persian Version’
-
The Yemenese film about abortion that grabbing attention – and its Indian connections
-
Start the week with a film: ‘Somewhere’ is a sensitive look at an actor’s empty life
-
Mining town-set film ‘Whispers of Fire and Water’ is an immersive experience
-
In Ken Loach’s ‘The Old Oak’, a solidarity that transcends differences
-
In animated film ‘The Siren’, a reminder that ‘democracy and peace are never eternal’
-
Start the week with a film: Russian literature and Kangra painting meet in ‘Kasba’
-
How Jeo Baby’s risky ‘Kaathal’ fell into place: ‘Once Mammootty agreed, everything became easy’
-
Start the week with a film: Darbhanga blues in ‘Pokhar Ke Dunu Paar’
-
Eye Spy: What doing the ‘dunki’ means – and where we first heard the term
-
Why Indian film editors are on the warpath
-
How a busy station was created from scratch for ‘The Railway Men’
-
Start the week with a film: How ‘Prisoners’ relooks at the vigilante drama
-
Start the week with a film: The eyes have it in ‘Portrait of a Lady on Fire’
-
Start the week with a film: In ‘Brazil’, dreaming of a way out of the dictatorship
-
Start the week with a film: In Mrinal Sen’s ‘Antareen’, a telephone brings strangers together
-
Start the week with a film: ‘Birdcage’ gives homophobia the rebuff it deserves
-
Start the week with a film: The haunting eloquence of ‘The Silence of the Lambs’
-
When Vidhu Vinod Chopra converted a film set into a crime scene in ‘Khamosh’
-
Start the week with a film: ‘Ace in the Hole’ and the scoop trap
-
Why making sense of the Burari deaths depends on your streamer subscription
-
Eye Spy: From ‘Ofo Daddy!’ to toxic fathers
-
Start the week with a film: In ‘A Fantastic Woman’, a trans singer hits the right notes
-
Two Shah Rukh Khan films, two political worldviews
-
Start the week with a film: KG George’s ‘Irakal’ is a singular study of a psycho
-
Reel vs real: When undercover agents act against India’s enemies abroad
-
Sriram Raghavan: Remembering the dark side to Dev Anand
-
Start the week with a film: ‘The Host’ is a Korean creature feature with head and heart
-
Start the week with a film: ‘Waltz with Bashir’ brilliantly uses animation to revisit a massacre
-
‘Jawan’ is being called a ‘mass movie’ – but what does this term really mean?
-
Start the week with a film: Is ‘Chicken Run’ the perfect corporate satire?
-
Start the week with a film: In ‘The King of Comedy’, the joke is taken too far
-
‘Dil Se’ at 25: Mani Ratnam goes behind the scenes of one of his most cherished films
-
Start the week with a film: Canines and causality in ‘Amores Perros’
-
Start the week with a film: Guns and poses in ‘Bonnie and Clyde’
-
In ‘Rapture’, blind faith collides with reason in the Garo Hills
-
Start the week with a film: Satire goes nuclear in ‘Dr Strangelove’
-
Start the week with a film: A new look at a notorious axe murderer in ‘Lizzie’
-
‘Mahal’ revisited: A timeless classic about making up for lost time
-
Start the week with a film: ‘Toni Erdmann’ is cringe comedy with heart
-
‘Baipan Bhari Deva’ is a monster hit. Will it change Marathi cinema for good?
-
Start the week with a film: ‘Gattaca’ examines the ethics of genetic selection
-
Start the week with a film: Parsis go to war in the charming ‘Little Zizou’
-
Start the week with a film: In ‘Frantic’, Harrison Ford is on an impossible quest (again)
-
Start the week with a film: The two affairs of Thomas Crown
-
Start the week with a film: ‘One Fine Morning’ is a terrific tale of love amidst loss
-
Start the week with a film: ‘Under the Shadow’ is much more than a ghost story
-
Bring out the earplugs – ‘Gadar: Ek Prem Katha’ is back
-
Pastel shades, tableau shots: Recreating the Wes Anderson aesthetic
-
Start the week with a film: The documentary ‘Tina’ is a tribute to an irrepressible spirit
-
What connects a decades-old children’s poem about fish with the serial killer in ‘Dahaad’
-
Start the week with a film: What makes ‘Bicycle Thieves’ so special?
-
Start the week with a film: ‘Cape Fear’ is a terrific thriller (but watch the original)
-
Start the week with a film: In ‘A Sun’, an immersive portrait of a troubled family
-
Start the week with a film: ‘Monsieur Verdoux’ reimagines Charles Chaplin’s Tramp persona
-
Start the week with a film: ‘Network’ is a revealing satire about the decline of TV news
-
Personal essay: How films became a bridge to my past and my present
-
Start the week with a film: ‘Good Luck to You, Leo Grande’ is a most unlikely entertainer
-
Start the week with a film: Endless wonderment in ‘Boy and the World’
-
Start the week with a film: ‘Bram Stoker’s Dracula’ has bite and beauty
-
Opinion: Nandita Das’s ‘Zwigato’ is luminous in its humanism
-
Start the week with a film: The very violent and very clever ‘Battle Royale’
-
Malayalam movie ‘Family’ is an elegant study in elision
-
Start the week with a film: See the world through a donkey’s eyes in ‘EO’
-
Start the week with a film: ‘Living’ proves that it is never too late for change
-
Start the week with a film: In ‘Guillermo Del Toro’s Pinocchio’, a puppet for our times
-
The Jafar Panahi retro we deserve is just a click away
-
Start the week with a film: Troubled teens and guardian angels in ‘Short Term 12’
-
‘Gulmohar’ preview: As a family prepares to move home, secrets hold them back
-
‘Vaalvi’ is a sleeper hit and nobody is more surprised than director Paresh Mokashi