TALKING FILMS
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Start the week with a film: Clint Eastwood’s ‘Juror #2’ makes a solid case for itself
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Start the week with a film: In ‘Don’t Let Them Shoot the Kite’, innocence and freedom in a jail
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Start the week with a film: Memories of another South Korean coup in ‘12.12: The Day’
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At Raj Kapoor centenary event, a celebration of his rich cinematic legacy and his famous family
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Start the week with a film: The original ‘The Day of the Jackal’ is a nail-biting thriller
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Start the week with a film: Why ‘Kishkindha Kaandam’ is all the rage
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Start the week with a film: ‘Welcome to Sajjanpur’ is a timeless political satire
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All we are and all we aspire to be: C Premkumar on the appeal of his fan favourite ‘Meiyazhagan’
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How the Sri Lankan civil war made its way into a French film about an undercover cop
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Start the week with a film: In ‘Donnie Brasco’, betrayal is hard when Al Pacino is around
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Start the week with a film: ‘Valu’ is a side-splitting comedy with a brilliant cast
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Start the week with a film: ‘Tortoise Under the Earth’ is a haunting portrayal of displacement
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Start the week with a film: ‘Loins of Punjab Presents’ hilariously spoofs Indian Americans
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‘Start the week with a film: ‘Humanist Vampire Seeking Consenting Suicidal Person’ is life-affirming
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Dibakar Banerjee on his shelved film ‘Tees’: ‘Not so futuristic after all’
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Start the week with a film: In ‘Kottukkaali’, a silence that speaks volumes
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Start the week with a film: In ‘Wolfs’, a match made in movie heaven
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Start the week with a film: ‘I Am Not a Witch’ is a deft blend of uneasy comedy and sensitivity
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Behind the re-run of Satyajit Ray’s ‘Mahanagar’, a marble-to-magic journey
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Start the week with a film: ‘Grave of the Fireflies’ is a heartbreaking tale of sibling love
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Start the week with a film: In ‘The Others’, a mother confronts her worst fears
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‘Masala’ revisited: Why the cult cosmic comedy has retained its kick three decades later
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Start the week with a film: ‘Kinds of Kindness’ is weirdly compelling
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Start the week with a film: ‘Gharat Ganpati’ gets into the festive spirit
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Start the week with a film: ‘Ullozhukku’ floats on the strength of terrific performances
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The rigour, discipline and beauty behind Gulzar’s immortal film song lyrics
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Start the week with a film: In ‘Swades’, the return of Mohan Bhargav and Shah Rukh Khan
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Start the week with a film: ‘Adagio’ has bad cops, Mafioso and stunning visuals
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How Malegaon’s film superheroes flew low and reached great heights
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Start the week with a film: In Korean comedy ‘Cobweb’, cinema weaves an inescapable web
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Start the week with a film: ‘Footloose’ makes you want to get up and dance away
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A screenwriter’s hot tip for success: Create ‘something new, but rooted in Indian realities’
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Start the week with a film: Creeping dread in the folk horror drama ‘The Witch’
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Start the week with a film: The many ways of seeing in crime thriller ‘Witness’
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Why Aditya Sarpotdar’s ‘Munjya’ is a Marathi film at heart, and how its success helped ‘Kakuda’
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‘Start the week with a film: Why the thriller ‘Missing’ about 1973 is still urgent and relevant
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Start the week with a film: In ‘Hounds’, Casablanca by night is a terrifying place
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‘Karparaa’: In a film about a village in Tamil Nadu, the eternal play of life and mortality
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Review: ‘The Iron Claw’ is a moving saga of sweat and sinew
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Start the week with a film: In ‘Blackbird Blackbird Blackberry’, a woman’s desire takes flight
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Start the week with a film: In ‘Wicked Little Letters’, the joys of not minding your language
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Start the week with a film: ‘Godzilla Minus One’ has thrills plus heart
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Start the week with a film: In ‘Io Capitano’, a gripping tale of flight and fight
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Payal Kapadia’s Cannes Grand Prix shows why free expression is vital for FTII and other institutions
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Start the week with a film: Why Farah Khan’s ‘Main Hoon Na’ endures
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Start the week with a film: The unforgettable revolution of the dogs in ‘White God’
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Start the week with a film: Why ‘Manjummel Boys’ was a blockbuster
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Start the week with a film: A divorce from hell in ‘The War of the Roses’
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The story of India’s unique ‘Milk Revolution’ is going to the Cannes Film Festival
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Start the week with a film: A legend returns in ‘Bob Marley: One Love’
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In Cannes-bound ‘In Retreat’, a Ladakh that has rarely been seen before
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Start the week with a film: In ‘Tokyo Sonata’, the unequal music of an emotionally distant family
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Start the week with a film: ‘Yannick’ is a comic take on trolls taking charge of art
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‘Fighters, not losers’: Rajesh A Krishnan on the three heroines of ‘Crew’
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A dummy’s guide to propaganda films in Bollywood
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Start the week with a film: In ‘The Wonder’, the strange truth behind a girl’s refusal to eat
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Start the week with a film: In ‘Bombshell: The Hedy Lamarr Story’, a star as well as an inventor
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Start the week with a film: A riveting game of mind control in ‘The Manchurian Candidate’
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How Tamaki Matsuoka became an unofficial ambassador of Indian movies in Japan
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Start the week with a film: ‘The Traitor’ breaks the omerta on the Mafia
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In Fritz Lang’s cinema, the deadly beauty of doom
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Start the week with a film: ‘Mad Max 2’ and the satisfaction of a sequel well done
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Behind a new Josef Wirsching photography tribute: ‘The vision to recognise historical value’
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Start the week with a film: ‘Get Out’ takes you deep inside a house of horrors
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In Malayalam film ‘Bramayugam’, black and white magic in a colourful occult tale
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Why a Konkani musical made in 2014 is still playing on and on
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Start the week with a film: In ‘Nyad’, lessons in swimming – and life
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Start the week with a film: A red-hot romance in ‘Fire of Love’
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Start the week with a film: The fascinating stories behind the charity single ‘We Are the World’
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‘Start the week with a film: Meet an Iranian serial killer in the spine-tingling ‘Holy Spider’
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How the Indian movie industry’s ‘makeup dadas’ have become ‘character designers’
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Start the week with a film: A beautifully observed father-daughter relationship in ‘Leave No Trace’
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Start the week with a film: ‘The Killing’ is a perfect movie about an imperfect crime
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Start the week with a film: ‘Society of the Snow’ is a moving saga of resilience
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Picture the song: When Hrithik Roshan conquered without dancing in ‘Khaabon Ke Parindey’
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Start the week with a film: And end the year with ‘A Fish Called Wanda’
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Start the week with a film: In ‘Maestro’, the unequal music of a marriage
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Start the week with a film: Mothers and daughters just want to have fun in ‘The Persian Version’
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The Yemenese film about abortion that grabbing attention – and its Indian connections
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Start the week with a film: ‘Somewhere’ is a sensitive look at an actor’s empty life
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Mining town-set film ‘Whispers of Fire and Water’ is an immersive experience
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In Ken Loach’s ‘The Old Oak’, a solidarity that transcends differences
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In animated film ‘The Siren’, a reminder that ‘democracy and peace are never eternal’
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Start the week with a film: Russian literature and Kangra painting meet in ‘Kasba’
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How Jeo Baby’s risky ‘Kaathal’ fell into place: ‘Once Mammootty agreed, everything became easy’
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Start the week with a film: Darbhanga blues in ‘Pokhar Ke Dunu Paar’
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Eye Spy: What doing the ‘dunki’ means – and where we first heard the term
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Why Indian film editors are on the warpath
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How a busy station was created from scratch for ‘The Railway Men’
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Start the week with a film: How ‘Prisoners’ relooks at the vigilante drama
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Start the week with a film: The eyes have it in ‘Portrait of a Lady on Fire’
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Start the week with a film: In ‘Brazil’, dreaming of a way out of the dictatorship
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Start the week with a film: In Mrinal Sen’s ‘Antareen’, a telephone brings strangers together
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Start the week with a film: ‘Birdcage’ gives homophobia the rebuff it deserves
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Start the week with a film: The haunting eloquence of ‘The Silence of the Lambs’
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When Vidhu Vinod Chopra converted a film set into a crime scene in ‘Khamosh’
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Start the week with a film: ‘Ace in the Hole’ and the scoop trap
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Why making sense of the Burari deaths depends on your streamer subscription
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Eye Spy: From ‘Ofo Daddy!’ to toxic fathers
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Start the week with a film: In ‘A Fantastic Woman’, a trans singer hits the right notes