Scroll interview
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Meet the X factor behind ‘Farzi’, ‘Citadel: Honey Bunny’ and ‘Rakt Bramhand’
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The delightful days and sleepless nights that went into Payal Kapadia’s ‘All We Imagine As Light’
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Kiran Rao on ‘Laapataa Ladies’: ‘Comedy disarms and charms you, as opposed to talking down to you’
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Should cinema stay away from religion altogether? Here’s what Devdutt Pattanaik has to say
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Sameer Nair interview: ‘The more success you get in streaming, the more you have to homogenise’
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‘Agra’ isn’t for the faint-hearted – and director Kanu Behl won’t have it any other way
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In Muzaffar Ali’s autobiography ‘Zikr’, signposts from ‘a poetic journey’
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Forty years of Prosenjit Chatterjee: The superstar on his 15 best roles
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Kausar Munir: ‘For a song to become really memorable, the lyrics matter’
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Mehdi Hasan on why effective debating is crucial in today’s political climate
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‘It’s not about banking, it’s about the psychology of bankers’: Tamal Bandyopadhyay on his new book
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From ‘Badla’ to ‘Blurr’: Why Bollywood can’t get enough of Oriol Paulo
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‘It’s a fight for our identity’: Omar Abdullah on the next J&K election and more
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Scroll interview: Why Kashmiri MP Hasnain Masoodi thinks J&K delimitation is unconstitutional
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Gurvinder Singh interview: ‘No artist can hide behind their work, the false is easily evident’
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Interview: Economist Sudha Narayanan on why states are key to agricultural reform in India
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Meet lawyer Shekar Krishnan, who hopes to be among the first South Asians on the NYC council
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Interview: Shanthie Mariet D’Souza on how India was ‘ill-prepared’ for the dramatic Taliban takeover
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‘Targeted by hate’: Audrey Truschke on why she helped write a ‘Hindutva Harassment Field Manual’
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Why are academics researching ‘Critical Aunty Studies’? A US professor of Indian origin explains
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Not just politicians, online advertisers too are recognising the value of Indian Americans
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Sai Paranjpye interview: ‘I guess I was born with a grin’
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Buddhadeb Dasgupta: ‘Put some dreams, magic, reality into a glass and shake it. That’s my cinema’
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A new project hosted by an Indian-American highlights musicians of colour and their ‘origin stories’
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New Jersey’s Raj Mukherji on the state’s new law allowing undocumented immigrants to apply for jobs
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Parveen Babi was ‘flesh-and-blood with contradictions, ambitions and aspirations’, says biographer
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‘It’s very funny to think I am not hot anymore’: Milind Soman after the publication of his memoir
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‘A glimmer of hope’: Mallika Sarabhai on the cancelled NID event, CAA protests, censorship and more
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Is this the India that Subhas Chandra Bose’s brave army dreamed of? Kabir Khan has some answers
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Amol Palekar interview: ‘The challenge is always to try something else’
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Rakhee Gulzar interview: ‘My reward is when people come up to me even now and say they recognise me’
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Govind Nihalani interview: ‘The difficult way is often the best way’
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Aparna Sen interview: ‘Going against any one party does not mean going against the country’
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Why Tabu continues to evolve: ‘Something shifts and it can never go back to being the same for you’
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Interview: Meet India’s top cow official. He wants to start cow tours, cow lectures, cow hostels
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‘Indian public has been hoodwinked’: Bangladeshi photojournalist Shahidul Alam on democratic dissent
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Interview: Why a safe and effective dengue vaccine is proving elusive
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Not just the niqab, Kerala’s Muslim education body has also banned jeans, leggings and miniskirts
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‘BJP has finished Dalits’: Delhi MP Udit Raj blames party after being denied ticket
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Sitaram Yechury: I don’t feel betrayed by Rahul Gandhi but don’t get what Congress is doing
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Logic that armed forces cannot be questioned is a feature of fascism, says retired Lt Gen HS Panag
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Anatol Lieven interview: India must talk to China – it can put more pressure on Pakistan than USA
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‘People are a little unhappy but not angry with Modi’: Psephologist Sanjay Kumar on Lok Sabha polls
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Satyajit Ray, Amitabh Bachchan, ‘Pushpak’ and three days as Crime Master Gogo: Meet Tinnu Anand
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Zoya Akhtar on ‘Gully Boy’: ‘I wanted Murad to be the kind of man I want to see in the world’
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Interview: ‘Poor upper castes don’t need reservations as their poverty is not due to their caste’
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Mirwaiz interview: ‘I don’t see why India should be irked if I talk with Pakistan foreign minister’
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‘At times, without mamma, I feel desperate,’ says daughter of jailed lawyer Sudha Bharadwaj
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What keeps Mamata Shankar on her toes: ‘I always feel that my work could have been better’
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No change in Chhattisgarh yet, but I hope Congress will correct past wrongs: Activist Bela Bhatia
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Mark Cousins on his passion for cinema: ‘I feel like a priest who wants to celebrate the mass’
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‘I have a good time whatever I do’: Arshad Warsi on ‘Fraud Saiyaan’ and why he’s boxed into comedy
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Vicky Kaushal interview: ‘I am a greedy actor who has just begun’
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Akshaye Khanna on ‘The Accidental Prime Minister’: ‘The film will hit you hard, but in a sweet way’
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Insolvency process: Competition Commission should see if monopolies are forming, says Yashwant Sinha
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Interview: Sabarimala protests are a reminder of the role of caste in Kerala’s enlightened society
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Interview: Income support schemes for farmers are a cop-out, says economist Abhijit Sen
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IIMs have used autonomy for self-aggrandisement, says professor pushing for faculty diversity
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Sabarimala stir shows Kerala is more castiest and anti-women than ever, says writer Sunil P Elayidom
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‘Twitter is bad for democracy, not just for me’: JNU leader Shehla Rashid on why she logged out
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‘Sabarimala protestors are using my Muslim name to fan communal fires,’ says activist Rahana Fathima
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Interview: Why are the BJP and RSS (and the Indian state) obsessed by ‘Urban Naxals’?
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‘Will work to defeat BJP in 2019’: The Bhim Army’s Chandrashekhar explains his radical Ambedkarism
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Everything is musical for composer Sneha Khanwalkar (as long as it’s ‘interesting’)
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‘Access is key’: US technologist Carl Malamud is on a satyagraha to make knowledge freely available
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Sanjay Garg interview: The path-breaking designer on his unique approach to fashion and luxury
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Twinkle Khanna on writing her first novel: ‘It is the story that tells you what form it needs’
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JV Pawar interview: ‘The government is saying that anyone who supports Dalits will be jailed’
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Mehbooba Mufti interview: ‘Upholding Indian flag in Kashmir will be tough if Article 35A is diluted’
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The key to horror comedy ‘Stree’? ‘It’s not the ghost but everyone’s reaction to it’
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Sriram Raghavan interview: ‘Every movie is a commitment, you have to be damn sure about it’
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Kajol interview: ‘Every time I do a film, it’s my comeback – but where did I ever go?’
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JP Dutta on ‘Paltan’ and the Indian war film: ‘The armed forces are a good part of the country’
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Armaan Malik interview: ‘There’s a lot of bubbly music inside me which hasn’t come out’
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Resul Pookutty’s amazing journey: ‘Sound designers have gone from being anonymous to having fans’
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I have to think like a director, not a dancer: Ashley Lobo on choreographing for films versus stage
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The X factor that led to the casting of Anurag Kashyap as a serial killer in ‘Imaikkaa Nodigal’
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Imran Khan would be Pakistan army’s second choice, says ex Indian envoy. The first? A hung assembly
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‘I love the world of decadent royalty’: Tigmanshu Dhulia on ‘Saheb Biwi aur Gangster 3’
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Shashank Khaitan on making ‘Dhadak’: ‘It’s the most sincere and honest tribute to Sairat possible’
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When a Dalit questions Ramayana, it becomes anti-national, says film critic banished from Hyderabad
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Vikram Chandra on ‘Sacred Games’: ‘I cried though I know what’s going to happen to the characters’
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‘Not a Gabbar Singh Tax, but not simple either’: Economist Pronab Sen on one year of GST rollout
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Director Anubhav Sinha on ‘Mulk’: ‘Not a typical Bollywood potboiler’
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Delhi government should run India’s Capital – not Centre, says London ex-mayor Ken Livingstone
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Rajkumar Hirani on the ‘genius director’ tag: ‘It scares the hell out of me, very honestly’
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Krishen Khanna interview: ‘I’ll be painting right till the end – like my friend Tyeb Mehta was’
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Shashaa Tirupati interview: ‘My life could well be a movie, there is so much drama in it’
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‘I know how exactly this story is to be told’: Ronny Sen on taking on drug abuse with ‘Cat Sticks’
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Swara Bhasker on *that* ‘Veere Di Wedding’ scene: ‘You go wow, woah woah but it isn’t disgusting’
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How political is Rajinikanth’s ‘Kaala’? Director Pa Ranjith has some answers
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‘It’s better to be a human rather than a baboon’: The message of Srijit Mukherji’s latest film ‘Uma’
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Typically Tanuja: ‘I inspire myself, I am happy because I want to be, and I will be’
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Monali Thakur interview: ‘Reality shows gives you face value but the real war starts later’
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Vikramaditya Motwane on ‘Bhavesh Joshi Superhero’: ‘There’s always hope that there’s a better world’
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The Danny Denzongpa interview: ‘I follow my heart and I follow my impulse’
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Nandita Das on ‘Manto’: ‘His story is the best way to respond to everything in the world today’
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‘Angrezi Mein Kehte Hain’ believes it is never too late to say those three magical words
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‘Raazi’ actor Jaideep Ahlawat loves playing baddies: ‘Grey characters offer so much colour’
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Interview: Radhika Apte on ‘Sacred Games’, playing a spy and the need for transparency in Bollywood