classic film
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It’s showtime once again for the classic Malayalam film ‘Thamp’
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Classics revisited: ‘Sinhasan’ is Marathi cinema’s own game of thrones
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Classics revisited: Shyam Benegal’s ‘Ankur’ burrows deep into the consciousness
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Film flashback: Surviving Naxalism and the Emergency in ‘Kathapurushan’
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‘36 Chowringhee Lane’: The movie where it all began for Aparna Sen
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Sai Paranjpye’s ‘Katha’ is a fabulous fable about the most charming chawl in the world
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Made in Pakistan with some help from India, lost and found again: the story of ‘Jago Hua Savera’
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Bonnie and Clyde
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Five-star cinema: The all-seeing supervillain from Fritz Lang’s Dr Mabuse trilogy
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Five-star cinema: A Turkish triptych in ‘Egg’, ‘Milk’ and ‘Honey’
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Five-star cinema: The many lives of Orson Welles’s ‘Mr Arkadin’
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Five-star cinema: Karel Reisz’s ‘Saturday Night and Sunday Morning’
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Five-star cinema: Takeshi Kitano’s ‘Hana-bi’
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Five-star cinema: Power and the arts in Istvan Szabo’s ‘Mephisto’
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Five-star cinema: Jean Cocteau’s ‘Beauty and the Beast’
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Five-star cinema: Rainer Werner Fassbinder’s ‘The Marriage of Maria Braun’
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Five-star cinema: Michael Powell’s ‘Peeping Tom’
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Five-star cinema: Ken Loach’s ‘Kes’
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Five-star cinema: ‘Lady Snowblood’
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Five-star cinema: ‘Ivan’s Childhood’ by Andrei Tarkovsky
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Five-star cinema: Georges Franju’s ‘Eyes Without A Face’
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Five-star cinema: Alan J Pakula’s conspiracy trilogy
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Five-star cinema: Nicolas Roeg’s ‘Don’t Look Now’
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Five-star cinema: Jean-Pierre Melville’s ‘Le Samourai’
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Five stars only: ‘Yi Yi’ by Edward Yang
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Five stars only: ‘The Firemen’s Ball’
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Five stars only: ‘The Night of the Hunter’
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Five stars only: ‘Salvatore Giuliano’
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Films at 50: Mystery thriller ‘Mera Saaya’ was a career best for Sadhana