Film preview
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In ‘Angammal’, a sari blouse comes between a woman and her son
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‘A product of love’: Nepali director Deepak Rauniyar on his police procedural ‘Pooja, Sir’
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In ‘Village Rockstars 2’, the guitar-playing heroine has grown up – and her world has changed too
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Vikramaditya Motwane explains why his film ‘CTRL’ was a ‘time-consuming but fun geek-fest’
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‘Berlin’ director Atul Sabharwal: ‘A love letter to an undocumented time gone by’
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‘I wanted to land this film correctly’: Why actor Kunal Kemmu chose to direct ‘Madgaon Express’
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In rural fable ‘In the Belly of a Tiger’, human suffering and colourful dreams
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Sriram Raghavan on ‘Merry Christmas’ movie: ‘A slow-burning wild ride’
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Interview: ‘The Archies’ movie is ‘nostalgic, magical, a storybook come to life’
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‘12th Fail’ is about ‘never giving up’, says director Vidhu Vinod Chopra
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In ‘Guras’, a missing dog leads to a metaphysical quest
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‘A story of complicity, sin by omission’: Martin Scorsese on ‘Killers of the Flower Moon’
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‘An espionage thriller is the most juicy genre’: Vishal Bhardwaj on ‘Khufiya’
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In ‘Paradise’, an Indian marriage is tested by the Sri Lankan economic crisis
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Marathi film ‘Sthal’ exposes the indignity of bride selection
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‘Past Lives’ director Celine Song: ‘Different times coexist in us’
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Pawan Kumar interview: ‘I try to resolve my questions and doubts through making films’
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‘Same tonality, greater drama’: Mani Ratnam on what we can expect from ‘Ponniyin Selvan 2’
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Film ‘Follower’ crawls inside the mind of a social media troll in Belgaum
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In Ranjan Palit’s new film, a ‘watchdog society’ filled with persecution and paranoia
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Aamir Bashir’s new film is about an endless winter
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Nandita Das’s ‘Zwigato’ makes a case for swiping for empathy
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‘A portrait of morality, desire’: Saim Sadiq on acclaimed Pakistani film ‘Joyland’
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In ‘Jhini Bini Chadariya’, a Varanasi less explored
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Kannada film Shivamma: A memorable study of a woman’s resilience
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A sex tape leads to a perfect storm in Kannada film ‘Seventeeners’
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In Assamese film ‘Tora’s Husband’, the ravages of Covid and a crisis of masculinity
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A ‘timeless epic’ with an eye on the big and the small: Mani Ratnam on ‘Ponniyin Selvan’
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Why ‘Chup’ director R Balki decided to bite the hand that fed him
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In ‘Shamshera’, a ‘masala potboiler’ and Ranbir Kapoor as ‘never seen before’
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A mysterious threesome in ‘Haraamkhor’ director’s new film
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When a 50-minute film feels just right
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A motorcycle god and absurdist comedy in Rajasthani film ‘Dug Dug’
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Sexual repression takes a nightmarish turn in Punjabi film ‘Jaggi’
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In ‘I Am Not the River Jhelum’, a Kashmir file
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‘Anti-gravity cinema’: Director Prashanth Neel on why ‘K.G.F’ struck gold
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‘Gehraiyaan’ takes a fresh look at monogamy, says director Shakun Batra
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Film ‘Sehar’ explores the demonisation of Urdu
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‘Kerala Police’s most successful failure’: What drew ‘Kurup’ director to a legendary murder case
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‘Unconventional, dreamer, never-say-die attitude’: Apu returns in ‘Avijatrik’
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In ‘Shoebox’, the city that was once known as Allahabad
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‘The Road to Kuthriyar’: An urban researcher forms an unusual bond with his tribal guide
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Kannada film ‘Pedro’: A crackling chronicle of rural disquiet
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How Shoojit Sircar travelled back in time for his Udham Singh biopic
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Assamese film ‘Boomba Ride’ captures the seriocomic state of rural education
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‘Bhoot Police’ director Pavan Kirpalani: ‘We have more fodder for horror today’
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In ‘Once Upon A Time in Calcutta’, a city of walking ghosts and new beginnings
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Malayalam film ‘Paka’ explores the inheritance of violence
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How the Covid-19 pandemic has inspired Gitanjali Rao’s latest film
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In Karthik Subbaraj’s ‘Jagame Thandhiram’, a ‘tricky world’ of gangsters and migrants
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In ‘Skater Girl’, a teenager hops onto a skateboard and discovers flight and freedom
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In ‘Uljhan’, disquiet and tension spill out as a social bubble bursts
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In Assamese film ‘God on the Balcony’, a snapshot of death caused by governmental apathy
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A biopic? A documentary? What is certain is that ‘Abhijaan’ is a tribute to Soumitra Chatterjee
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Jeethu Joseph on his ‘Drishyam’ sequel: ‘We got an angle, only then did we proceed’
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‘Tribhanga’ director Renuka Shahane: ‘I want us to see our mothers as human beings’
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In ‘Kosa’, too little democracy as a teenager from Bastar is wrongly arrested for being a Maoist
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In ‘Laila Aur Satt Geet’, a woman’s wandering heart serves as an allegory of Kashmir
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Interview: The ‘Bittersweet’ truth about sugarcane cutters
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‘A light film that makes you smile’: Anurag Basu on his colour-coded anthology comedy ‘Ludo’
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In Nayanthara-led ‘Mookuthi Amman’, ‘god that created us versus the god we created’
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In ‘Matto Ki Saikil’, a labourer pedals away for survival
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In ‘Serious Men’, a father-son bond ‘that goes beyond caste politics’
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In film ‘Milestone’, a truck driver’s journey from irrelevance to meaning
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In Kannada film ‘Pinki Elli?’, secrets and surprises in the hunt for a missing infant
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How ‘C U Soon’ went from being a ‘home experiment’ to a feature film made during the pandemic
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‘Everyone deserves to live a life outside a cage’: Inside Disney’s ‘The One and Only Ivan’
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In Atul Sabharwal’s ‘Class of ‘83’, a tragic hero ‘who loses a lot before gaining something’
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‘An emotional, universal film’: Chaitanya Tamhane on his new film ‘The Disciple’
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Behind Gunjan Saxena biopic, an inspirational woman who is ‘outwardly gentle and inwardly strong’
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In Malayalam film ‘Run Kalyani’, a household cook lives small and dreams big
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More than maths: Shakuntala Devi biopic aims to reveal the woman who ‘lived life to the fullest’
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How a pair of folk puppets inspired Shoojit Sircar’s comedy ‘Gulabo Sitabo’
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Prashant Nair interview: ‘A society is most defined by how it treats its least fortunate’
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In Tamil film ‘Nasir’, an ordinary life is upended by religious bigotry
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What to expect from ‘Extraction’? ‘Action layered with emotional complexity,’ says Chris Hemsworth
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‘Angrezi Medium’ without Irrfan? ‘No way’, says director Homi Adajania
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How actor Sudhir and a love for movies about the movies inspired ‘Kaamyaab’
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In Indian sci-fi film ‘Cargo’, a journey into the unknown for its characters and its creator
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In Netflix film ‘Yeh Ballet’, two male ballet dancers find their feet and leap for the sky
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Saif Ali Khan’s playboy in ‘Jawaani Jaaneman’ is unique as he’s ‘faking it’, says director
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Ashwiny Iyer Tiwari on ‘Panga’ and small-town films: ‘Indians are not hiding their nature anymore’
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Dibakar Banerjee interview: ‘Ghost Stories’ film takes the audience to ‘a primitive kind of society’
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‘Chhappak’ director Meghna Gulzar: ‘The acid attack survivor is not a victim, she is a fighter’
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‘Hotel Mumbai’ director: ‘The idea was to make the audience experience what the survivors endured’
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‘If there’s one successful sci-fi movie, there will be 20 more’: ‘House Arrest’ director Samit Basu
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In award-winning ‘Eeb Allay Ooo!’, a monkey chaser and ‘a tragedy that is a design of the system’
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An old man and his dog have something to say about coal mining in Chhattisgarh
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‘Kastoori’: Vinod Kamble’s movie is a powerful look at Dalit lives
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Rooms with a view: In Bihar-set film ‘Gamak Ghar’, documentary and fiction are inseparable
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Shillong’s Iewduh market is the setting for a heartwarming film about love and dreams
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North Eastern food ingredient axone plays a starring role in a film about racism and friendship
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Sanal Kumar Sasidharan is back in nightmare town for his new movie ‘Chola’
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In Navdeep Singh’s Saif Ali Khan-starrer ‘Laal Kaptaan’, a story of ‘man versus nature’
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In film ‘Aise Hee’, an elderly woman spreads her wings and causes a flutter
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In Sri Lankan film ‘Gaadi’, a searing exposition of the caste system across the Palk Straits
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In Goutam Ghose’s ‘Raahgir’, humanity thrives in a remote Indian village
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Darjeeling-set film ‘Nimtoh’ celebrates the extraordinary in an ordinary boy’s life
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In movie ‘Ranj’, Delhi is a ticking bomb for a Punjabi migrant
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‘Chintu Ka Birthday’: A six-year-old boy’s party is ruined by war but redeemed by love