Opening this week
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‘Welcome to the Jungle’ review: A non-stop hodgepodge
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‘Balan The Boy’ review: A gripping study of freedom at any cost
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‘Cocktail 2’ review: A fizz-free, tedious love triangle
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Review: ‘The Furious’ battles its way to the top of the best-ever action films list
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‘Bharat Bhhagya Viddhaata’ review: A gripping account of uncommon courage against terror
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Review: ‘Heer Sara’ is far too modest in its ambitions
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‘Governor’ review: An unintended comedy about a serious financial crisis
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Review: In ‘Main Vaapas Aaunga’, to love is to remember and to remember is to love
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‘Hai Jawani Toh Ishq Hona Hai’ review: A dated comedy about one man with two pregnant partners
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‘Bandar’ review: A relentlessly grim, needling statement on MeToo
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‘Tumbadchi Manjula’ review: A so-so remake of Kannada comedy ‘Su From So’
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‘Peddi’ review: Cricket, wrestling, running – and hyperbole
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‘The Great Grand Superhero’ review: Aliens meet hilarious kids and a sporting granddad
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‘Kattalan’ review: An unrelenting parade of slaughter
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‘Chand Mera Dil’ review: Convoluted romance barks at the moon
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‘The Mandalorian and Grogu’ review: The pocket-sized wizard steals the show
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‘Drishyam 3’ review: Give it a rest, Georgekutty
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‘Pati Patni Aur Woh Do’ review: Comedy of errors struggles to raise the laughs
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‘Indian Institute of Zombies’ review: Backbenchers to the rescue in inspired but uneven comedy
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‘Baapya’ review: A gender bender about a man who loved a woman who was always a man
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‘Daadi Ki Shaadi’ review: A granny diary that abandons humour for preachiness
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‘Dug Dug’ review: A trippy satire about blind faith
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‘The Sheep Detectives’ review: Talking animals deliver a cosy and fuzzy murder mystery
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Review: ‘Raja Shivaji’ is a studious, plodding affair
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Review: Even the luminous Sai Pallavi can’t rescue dull and gimmicky ‘Ek Din’
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‘The Devil Wears Prada 2’ review: Cutting lines and blunt feints at the fashion industry
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‘Mercy’ review: Film on euthanasia is barely alive
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Michael’ review: Enthralling Jackson biopic wants us to rise above the dirt and remember the genius
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Review: ‘Bhooth Bangla’ is haunted by the curse of banality
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‘Dacoit’ review: A convoluted, ridiculous romance
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‘The Drama’ review: Relationship film has a crusty exterior and a tender heart
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‘Project Hail Mary’ review: Ryan Gosling is caught between a cute rock and a hard place
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Review: ‘Dhurandhar: The Revenge’ is more of everything – gore, cheerleading, propaganda
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‘The Bride!’ review: Jessie Buckley and Christian Bale dominate the latest take on Frankenstein lore
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‘Boong’ review: An utterly charming tale of love and tolerance
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‘Tighee’ review: An outstanding look at mother-daughter relationships
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‘The Kerala Story 2: Goes Beyond’ review: A film that brings the war on Muslims home
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‘Hamnet’ review: Grief, grace and the first stirrings of genius
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‘The Secret Agent’ review: Wagner Moura shines in a chronicle of rebellion and tyranny
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Review: ‘Do Deewane Seher Mein’ has neither direction nor purpose
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Review: ‘Assi’ reaches for shock treatment to talk about rape culture
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‘Shatak’ review: The RSS gives itself a centenary gift
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‘O’Romeo’ review: A same-old yarn about swaggering gangsters and bloody revenge
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‘Tu Yaa Main’ review: Lots of teeth and bite too
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Review: ‘Wuthering Heights’ has lots of smouldering but doesn’t catch fire
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‘Vadh 2’ review: A well-executed successor to ‘Vadh’
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Review: ‘Mardaani 3’ and Rani Mukerji get the job done
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‘Gandhi Talks’ review: Dialogue-free film overstays its gimmick
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‘Mayasabha’ review: Atmospheric visuals trump a convoluted tale
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Review: ‘Border 2’ is ‘Border’ too, the whole package better packaged
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‘The History of Sound’ review: Gorgeous music and a tender love story
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Review: Timothee Chalamet reigns supreme in ‘Marty Supreme’
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Review: ‘Rahu Ketu’ refuses to be anything more than sporadically funny
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‘Happy Patel: Khatarnak Jasoos’ review: In scattershot comedy, anything goes and little lands
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‘Ikkis’ review: In tribute to a war hero, a rare plea for peace and empathy
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‘Krantijyoti Vidyalay Marathi Madhyam’ review: A battle cry to save the Marathi language
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‘The Housemaid’ review: A pulpy catfight with ample twists
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Review: ‘Tu Meri Main Tera Main Tera Tu Meri’ is as long-winded and exhausting as its title
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‘Asha’ review: Rinku Rajguru is this film’s ray of hope
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‘Kis Kisko Pyaar Karoon 2’ film review: In a ludicrous comedy, a man juggles multiple wives
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‘Uttar’ review: AI gets in the way of a moving mother-son relationship
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‘Dhurandhar’ review: A techno-jingo gorefest
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Review: Tortured and never-ending, ‘Tere Iskh Mein’ gives intensity a bad name
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‘Gustaakh Ishq’ review: The real romance is between words rather than humans
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‘120 Bahadur’ review: Film about the Battle of Rezang La makes you wait for the pay-off
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Review: ‘Wicked: For Good’ is a worthy, compelling sequel
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Review: In ‘De De Pyaar De 2’, too much of a good thing
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‘The Running Man’ review: Glen Powell ably steers a deadly race for survival
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‘Agra’ review: A deeply unsettling study of masculinity under severe strain
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Review: ‘Jatadhara’ is unabashedly ludicrous
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‘Haq’ review: A thin line between justice and judgement
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The new ‘Baahubali: The Epic’ is one battle after another
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‘Bugonia’ review: More nerve-wracking thriller than sharp satire
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Review: ‘Single Salma’ amiably sends up the Indian obsession with marriage
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‘Good Boy’ review: An astonishing dog is the hero and star of horror thriller
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‘Ek Deewane Ki Deewaniyat’ review: One-sided love saga champions stalkers
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‘Thamma’ review: Vampire comedy lacks blood and bite
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‘A Nice Boy’ review: A curio about being gay and Indian in America
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‘Lord Curzon Ki Haveli’ review: A stilted, feeble comment on India’s tryst with colonialism
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‘The Smashing Machine’ review: Mixed martial arts drama slips out of grasp
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‘Kantara: Chapter 1’ review: A wooooooaaaav-worthy tale of enchantment
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‘Sunny Sanskari Ki Tulsi Kumari’ review: Varun Dhawan steals the show
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‘Chainsaw Man – The Movie: Reze Arc’ review: Japanese anime has dazzling imagery and wacky humour
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‘One Battle After Another’ review: Love, war and revolution in Paul Thomas Anderson’s masterpiece
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‘Homebound’ review: A sobering, thought-provoking story of systemic discrimination
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‘Nishaanchi’ review: Saga of identical squabbling twins misses its mark
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‘Aatli Batmi Futlii’ review: Seasoned actors in an amateurish drama
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‘Jolly LLB 3’ review: Two lawyers share a name but the judge is the real deal
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‘Sabar Bonda’ review: A delicate, tender and resonant romance
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‘Jugnuma’ review: Enchanting visuals in fruit orchard owner’s battle with the elements
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‘Mirai’ review: Extravagant fantasy adventure coasts along on visual effects and fight scenes
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‘The Bengal Files’ review: A twisted, motivated interpretation of history
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‘Baaghi 4’ review: No winners in the game of good butcher versus bad butcher
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Review: ‘Ufff Yeh Siyapaa’ has no dialogue and little reason to exist
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‘Humans in the Loop’ review: A thoughtful look at new AI tech and age-old fault lines
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‘Bad Girl’ review: A terrific journey through a woman’s heart and soul
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‘Param Sundari’ review: Kerala survives the invasion of the northerners
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‘The Roses’ review: Terrific lead performances in saga of spouses who are dying to be exes
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‘Vash Level 2’ review: Effective shocks and nightmarish visuals but with diminishing returns
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‘War 2’ review: Two movie stars walk into a bar and trade punches – and that’s it