All information sourced from publishers.
Opera Wars: Inside the World of Opera and the Battles for Its Future, Caitlin Vincent
Drawing on interviews with dozens of opera insiders – as well as her own experience as a librettist, trained vocalist, opera company director, and arts commentator – Caitlin Vincent deftly unravels clichés and presumptions, exposing such debates as how much fidelity is owed to long-dead opera composers whose plots often stir racial and gender sensitivities, whether there’s any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons.
Vincent never shrinks from depicting the industry’s top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who can’t quite break away, she always comes back to her veneration for the art form and, in these pages, evokes those moments on stage that can be counted on to make ardent fans of the most sceptical.
The Killing Age: How Violence Made the Modern World, Clifton Crais
Clifton Crais argues that the era between 1750 and the early 1900s – seen by many as the birth of the Anthropocene – should instead be known as the Mortecene: the Age of Killing.
Killing brought the world together and tore it apart, as violence and commerce converged to create a new and terrible world order that drove the growth of global capitalism. Profiteering warlords left a trail of devastation across Africa, Asia, and the Americas, committing mass-scale slaughter of humans and animals, and sparking an environmental crisis that remains the most pressing threat facing the world today.
Drawing on decades of scholarship and a range of new sources, The Killing Age turns our vision of past and present on its head, illuminating the Mortecene in all its horror: how it has shaped who we are, what we value, what we fear, and the precarious planet we must now confront.
Neptune’s Fortune: The Billion-Dollar Shipwreck and the Ghosts of the Spanish Empire, Julian Sancton
Roger Dooley wasn’t looking for the San Jose. But an accidental discovery in the dusty stacks of a Spanish archive in the 1980s led him to the story of a lifetime – the journey of a ship that had gathered a mountain of riches from the New World for a long-awaited delivery to the King of Spain nearly three centuries earlier. But that ship, the galleon San Jose, never reached its destination. Instead, the Spanish treasure fleet was drawn into a pitched battle with British ships of war off the coast of Cartagena. When the smoke cleared, the San Jose had disappeared into the ocean.
Though a diver at heart, Dooley was an unlikely candidate to find the San Jose. Half Cuban by birth, he lived a life that stretched from the ballfields of Brooklyn to the shores of Castro’s Havana at the dawn of revolution, where he would help birth a fledgling nation’s diving program and make films with Jacques Cousteau, before finding himself placed on an international watch list and barred from the United States. Dooley had little in the way of serious credentials, yet his tenacity and single-minded devotion to finding the San Jose led him to breakthroughs once thought impossible. As he jousted with famous treasure hunters and well-funded competitors, Dooley ultimately homed in on a patch of sea that might contain a three-hundred-year-old shipwreck – or nothing at all.
Neptune’s Fortune plunges into a rarified world through the eyes of an idiosyncratic protagonist, one whose work would spark the hopes of presidents and make real the dreams of a nation. This tale of temerity and treasure is a one-of-a-kind story of a lost fortune and the decades-long quest to shine a light on the bounty at the bottom of the sea.
Life After Ambition: A “Good Enough” Memoir, Amil Niazi
Building off her wildly popular viral essays “Losing My Ambition” and “The Mindfuck of Mid-Life,” Amil Niazi explores what life looks like “post-ambition.” With sly humor and a deep literary sensibility, she interrogates her own evolving ambitions, and how it intersects with adulthood, motherhood, age, identity, class, and race, and how it has shaped her and a generation of Millennials. And – most importantly – now that she is done with ambition: what happens next?
Exit Stalin: The Soviet Union as a Civilization, 1953–1991, Mark B Smith
With Stalin’s death, the Soviet Union remained a repressive, harsh and belligerent place, but one which became more predictable for its citizens and one which made a genuine attempt to create the egalitarian, progressive country that the Russian Revolution had once promised. That this attempt would fail was not clear until the 1980s.
Smith’s remarkable book recreates the day-to-day life of this vast state, the largest ever to exist. What was life like in a country which made such absolute claims for the future, which claimed to be on its way to creating a people’s utopia and which, like the US, owned enough atomic weapons to end human life on Earth?
Exit Stalin is filled with extraordinary stories about those who lived in the USSR and the distinctive and functioning civilisation that they built. Many of them embraced its values, understood its goals and could not imagine life outside such a vastly ambitious and progressive project. The shortages, coercion and incompetence that underlay the USSR – and which by the late 1980s would doom it – have to be understood alongside the acceptance it always had from many of its citizens. And this in turn is a crucial issue for understanding Russia and the rest of the former Soviet Union in the 21st century.
The Grammar of Angels: A Search for the Magical Powers of Language in Renaissance Italy, Edward Wilson-Lee
The Grammar of Angels tells how Giovanni Pico della Mirandola dedicated his short, brilliant life to finding a philosophy that would settle the most important questions about human existence. This philosophy would, he believed, provide tools by which man could transcend his mortal limitations and join the ranks of the angels.
At the heart of Pico’s ideas were questions that he traced through the breadth and depth of human thought, from the ancient Greeks and Egyptians to the medieval Arabs and Jews. He made use of everything at his disposal from Europe’s broadening horizons and asked primal questions of himself and the world. Why is it that we can be astonished by beauty? That the hairs on the backs of our necks can be made to stand by intoxicating rhythms and harmonies? Can we be provoked to ecstatic experiences by the simple means of an incantation?
In 1486, when he was just 23, he declared his intention to defend 900 theses on religion, philosophy, natural philosophy and magic against all comers and for which he wrote a speech that is often deemed the manifesto of the Renaissance, even though the ideas it introduced were subject to an unprecedented ban by the Church. He died mysteriously aged only 31.
The implications of his thought were dangerous in the Europe of his day, suggesting as they did that the notion of the individual might be just as much of an illusion as a flat earth or a geocentric universe. Pico’s tempestuous life at the heart of the Renaissance was a testament to intellectual daring, to a human dignity founded in the willingness to think the unthinkable and to peer over the edge of the abyss in search of answers.
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