October global fiction: A new novel by Nobel laureate Jon Fosse and five other works

All information sourced from publishers.

Vaim, Jon Fosse, translated from the Norwegian by Damion Searls

Jatgeir has come from Vaim to the big city, Bjørgvin, on his wooden boat, Eline, named after the long-lost love of his teenage years. He intends to buy a needle and thread to sew a button but he is cheated, twice. That night, while sleeping on his boat, he hears a familiar voice: unexpectedly, it is Eline, who wants to come home to Vaim with him. She leaves a note for her husband Frank, packs her bags and runs away while he is out fishing.

Vaim, Jon Fosse’s first novel since he received the 2023 Nobel Prize in Literature, is the story of this triangle, a novel about little boats and big boats, love and death, passive men and an incredibly determined woman.

Sea Now, Eva Meijer, translated from the Dutch by Anne Thompson Melo

The country is flooding. Every day, the sea claims another kilometre of land. The prime minister holds a daily press conference. Scientists try to find an explanation, without success. Sheep drown in the fields, weighed down by their waterlogged fleeces. The museums are emptied of their valuable works. Some people stay. Most leave. Once the evacuation is complete, and the rest of the world is already moving on, a climate activist, a young poet and an oceanographer voyage across the new sea. They are drawn back into the heart of a changed nation, seeking what they have lost in the deluge.

We Love You, Bunny, Mona Awad

Samantha Heather Mackey, a lonely outsider student at a highly selective MFA program in New England, was first ostracised and then seduced by a clique of creepy-sweet rich girls who call themselves “Bunny.” An invitation to the Bunnies’ Smut Salon leads Samantha down a dark rabbit hole (pun intended) into the violently surreal world of their off-campus workshops, where monstrous creations are conjured with deadly and wondrous consequences.

When We Love You, Bunny opens, Sam has just published her first novel to critical acclaim. But at a New England stop on her book tour, her one-time frenemies, furious at the way they’ve been portrayed, kidnap her. Now a captive audience, it’s her (and our) turn to hear the Bunnies’ side of the story. One by one, they take turns holding the axe, and recount the birth throes of their unholy alliance, their discovery of their unusual creative powers – and the phantasmagoric adventure of conjuring their first creation.

Capitalists Must Starve, Seolyeon Park, translated from the Korean by Anton Hur

Set against the backdrop of Japanese-occupied Korea, Capitalists Must Starve follows a sharp-tongued, big-hearted heroine who dares to love, rebel, and carve out space for working-class women in a world determined to silence them. Echoing the unflinching narratives of Alias Grace and the sweeping historical vision of Pachinko, this feminist historical novel balances raw grit with unexpected tenderness and a defiant streak of dark humour.

Life, and Death, and Giants, Ron Rindo

In Lakota, Wisconsin, a young, unmarried Amish woman births a miraculous, eighteen-pound baby, and no one in the community knows what to make of the boy.

Raised by his brother on a struggling farm, Gabriel Fisher walks at eight months, communicates with animals and possesses astonishing athletic abilities. When his brother dies, Gabriel is taken in by his devout grandparents and, for a time, he disappears into the anonymity of Amish life.

But then, aged seventeen and nearly eight feet tall, Gabriel is spotted working in a hayfield by the local football coach and his life changes forever.

Fierceland, Omar Musa

After many years abroad, Roz and Harun return to Malaysian Borneo for the funeral of their father Yusuf – and to reckon with their inheritance. A renowned palm-oil baron during Malaysia’s economic rise, Yusuf built the family’s immense wealth by destroying huge tracts of rainforest. What his children know is that he was also responsible for the violent disappearance of a man who stood in his way.

Harun has become a successful tech entrepreneur in Los Angeles, Roz is an artist struggling to stay afloat in Sydney. Now they want to return something their father stole from the forests of their homeland. In their quest for redemption they grapple with the legacy of power and corruption, dreamers and exiles, thugs and zealots. Most dangerous of all, they are haunted – by the ghosts of colonialism, the ghosts of family, the ghosts of language, and the ghosts of the forest itself.