March fiction: Gabriel Garcia Marquez’s ‘new’ novel and other exciting books from around the world

Until August: The Lost Novel, by Gabriel Garcia Marquez, translated from the Spanish by Anne McLean

Sitting alone, overlooking the still and blue lagoon, Ana Magdalena Bach surveys the men of the hotel bar. She is happily married and has no reason to escape the world she has made with her husband and children. And yet, every August, she travels here to the island where her mother is buried, and for one night takes a new lover.

Amid sultry days and tropical downpours, lotharios and conmen, Ana journeys further each year into the hinterland of her desire, and the fear that sits quietly at her heart.

Constantly surprising and wonderfully sensual, Until August is a profound meditation on freedom, regret, and the mysteries of love, from one of the greatest writers the world has ever known.

dd’s Umbrella, Hwang Jungeun, translated from the Korean by e yaewon

d, a nonbinary gig worker living in Seoul, briefly escapes the grasp of isolation when they meet dd, only to be ensnared by grief when dd dies in a car accident. Meanwhile, the world around them reckons with the 2014 Sewol ferry disaster that left more than 300 dead.

As formally inventive as it is evocative, dd’s Umbrella is composed of twin novellas. The first is told from the perspective of d, and the second from the perspective of a writer researching a book they may never write. Both figures dwell in society’s margins – queer, working-class, and part of nontraditional family structures.

As people across Korea come together to protest the government’s handling of the Sewol ferry disaster, and to impeach the right-wing president in office, the novel examines how progressive movements coexist with social exclusion, particularly of women and sexual minorities, invisibilised in service of the “greater cause”.

Annie Bot, Sierra Greer

Annie Bot was created to be the perfect girlfriend for her human owner Doug. Designed to satisfy his emotional and physical needs, she has dinner ready for him every night, wears the pert outfits he orders for her, and adjusts her libido to suit his moods. True, she’s not the greatest at keeping Doug’s place spotless, but she’s trying to please him. She’s trying hard.

She’s learning, too.

Doug says he loves that Annie’s AI makes her seem more like a real woman, so Annie explores human traits such as curiosity, secrecy, and longing. But becoming more human also means becoming less perfect, and as Annie’s relationship with Doug grows more intricate and difficult, she starts to wonder: Does Doug really desire what he says he wants? And in such an impossible paradox, what does Annie owe herself?

My Heavenly Favourite, Lucas Rijneveld, translated from the Dutch by Michele Hutchison

In the tempestuous summer of 2005, a local veterinarian becomes enraptured by a 14-year-old farmer's daughter – his “favourite” – as he tends her father's cows. This deeply troubled soul is our narrator: a man who believes he offers the object of his love a tantalising path out of the constrictions of her conservative rural life, a chance to escape to a world of fantasy. But the obsessive reliance he cultivates builds into a terrifying trap, with a crime and confession at the heart of it that threatens to rip their small community apart.

The Painter’s Daughters: A Novel, Emily Howes

Peggy and Molly Gainsborough – the daughters of one of England’s most famous portrait artists of the 1700s and the frequent subject of his work – are best friends. They spy on their father as he paints, rankle their mother as she manages the household, and run barefoot through the muddy fields that surround their home. But there is another reason they are inseparable: from a young age, Molly periodically experiences bouts of mental confusion, even forgetting who she is, and Peggy instinctively knows she must help cover up her sister’s condition.

When the family moves to Bath, it’s not so easy to hide Molly’s slip-ups. There, the sisters are thrown into the whirlwind of polite society, where the codes of behaviour are crystal clear. Molly dreams of a normal life but slides deeper and more publicly into her delusions. By now, Peggy knows the shadow of an asylum looms for women like Molly, and she goes to greater lengths to protect her sister’s secret.

But when Peggy unexpectedly falls in love with her father’s friend, the charming composer Johann Fischer, the sisters’ precarious situation is thrown catastrophically off course. Her burgeoning love for Johann sparks the bitterest of betrayals, forcing Peggy to question all she has done for Molly, and whether any one person can truly change the fate of another.

Martyr!, Kaveh Akbar

Cyrus Shams is lost.

Ever since his mother’s plane was senselessly shot down over the Persian Gulf when he was just a baby, Cyrus has been grappling with her death. Now, newly sober, he is set to learn the truth of her life.

When an encounter with a dying artist leads Cyrus towards the mysteries of his past – an uncle who rode through Iranian battlefields dressed as an Angel of Death, a haunting work of art by an exiled painter – he finds himself once again caught up in the story of his mother, who may not have been who or what she seemed. As Cyrus searches for meaning in the scattered clues of his life, a final revelation transforms everything he thought he knew.